Music/Film: Elvis In Vegas on CMT
I got hitched in Vegas. I got hitched in Vegas by the King. I'm pretty sure it was him. He was real tall though, like 6'8.
I asked him if he ever played any ball. "No man, I always been the king".
Good enough for me.
Elvis and Vegas is real close to maybe the best match for performer and venue ever. The ironic thing is that Elvis was so obviously not a dapper Vegas cat - he was a hillbilly badass who could split your lip with a Karate chop and got buried in the backyard. Anyone wonderin' about the King's countrified-ness would do well to watch Elvis '56 which, just through photos and interviews - no videos - tells the story of the King's breakout year in 1956. It's him stealin' a kiss with a high school sweetheart, roughhousin in a half full swimming pool with his buddies, buying his first ring (the horseshoe, for good luck). Narrated by another great Southern wildcat - Levon Helm of The Band - it's a portrait of a real sweet country boy about to go poof like those fireworks Kerouac wrote about.
Frank Sinatra seemed at home in Vegas, swingin' with a deck of songs about heartache, booze and the good life but New York was really his town. The King, on the other hand, was just trying to find a place big enough to contain him. He was bigger than that ol' out-of-luck cowboy hitchin' a ride in all those postcards. Now Elvis in Vegas is like Santa at the North Pole. But there was a time when it wasn't so. Those jump suits everybody finds so damn funny were a brand new thang. He looked kinda like a crazy hillbilly super hero, like he'd just piloted a home-made spaceship that carried him and David Bowie back to earth. That suit was so fly that Evel Kenievel even co-opted it, jumping sharks and school buses in (a version of) it. And after all, if yer gonna do athletics, a high collar white polyester jumpsuit covered in rhinestones is just what you wanna wear. Remember Kurt Russell in the John Carpenter-directed Elvis TV Movie, telling his costume guy - I'm playin' Vegas man, can you make me somethin' you know.. .like a karate Gi?"
Now CMT will air a special all about Elvis in Vegas on Monday Aug 11th at 8pm (and the Blue Ray DVD will go on sale at Walmart for $10 bucks the same day). The take on it is how Elvis Presley reinvented Vegas and how it reinvented him. This thing oughta be pretty interestin' with everyone from 50 cent to The Rock to Tom Jones and Nancy Sinatra - you even got 'ol crazy-ass but very artful David Lynch - waxin' poetic on the king. I wonder if they're gonna have those flyin' Elvis's there? They got performers too. Everyone from rappers Three 6 Mafia doin' In the Ghetto to Toby Keith and Joe Perry doin' Mystery Train. And you got Chris Isaak and Brandi Carlile doin' love me tender, and you even got 'ol Celine Dion doin' Can't Help Falling In Love, which is when I'll be takin a peanut butter and banana break. But hey man, you can't have it all. I might even watch Celine, I just won't tell no one. What happens in Viva Las Vegas, stays in Viva Las Vegas. Check out the trailers for the show here.
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Music: Lost Photos of Jumpsuited Elvis Found
Never-before-seen photos have surfaced of Elvis Presley rocking Madison Square Garden in all his jumpsuited glory. The images were taken in 1972 by George Kalinsky, the official photographer of the famed arena... Continue Reading...
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Readin': Careless Love: The Unmaking of Elvis Presley
Just finished this book. It's the second part in Peter Guralnick's two book series on Elvis. A very interesting and enlightening read for anybody who's been touched by the King. Here's a review from Ron Hogan at Amazon.com:
Until Peter Guralnick came out with Last Train to Memphis in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his "inner circle"--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock & roll pioneer (with Albert Goldman's 1981 Elvis reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.
Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of "fat Elvis" decked out in bejeweled white jumpsuits, culminating in a bathroom death scene. And while that summary isn't exactly false, Guralnick's account shows how little perspective we've had on Elvis's life until now, how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, Careless Love continues to show that Guralnick "gets" what Presley was trying to do as an artist: "I see him in the same way that I think he saw himself from the start," the introduction states, "as someone whose ambition it was to encompass every strand of the American musical tradition." From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream.
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Music: EP TCB - Polk Salad Annie
The King doin' his thing. Singin' Tony Joe White's Polk Salad Annie. Check the dance moves. Love it when he gets the cheat sheet. Or maybe it's a groupie's digits? ELVIS LIVES.
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